There are many traditional motifs, such as flower or birds, designed for patterns to dye on kimono, which are symbolic to specific seasons or occasions.  However, it is not   restricted to only those very traditional ones these days, and it can explore other possibilities to make only one of a kind kimono.  Designing is the initial and very important part of the kimono-making process.  Along with designing, "shiro-kiji", the white long cloth that is to be dyed and made into kimono is carefully selected.   Not only plain fabrics, there are many kinds of “shiro-kiji”, that shows patterns according to the way it is woven.

Shiro-kiji is carefully rinsed to remove any starch or dirt, and dried flat and in straight texture.  At this point, Shiro-kiji is cut into several panels and they are sawed to the form of a complete kimono for a try-on.  The design of patterns is drafted on a glass plate, and the plain white kimono is placed on it.  Light is put on from underneath, and the artwork is traced onto the kimono with a brush.  For tracing the lines, soluble indigo plant ink is used.  This method has not changed since Edo period.